The 27 Finest Films on Max (aka HBO Max) Proper Now

Because the birthplace of status TV reveals like The Sopranos and The Wire, HBO—and, by extension, Max (aka the streamer previously often called HBO Max)—is finest recognized for its spectacular lineup of authentic collection. The community has additionally been upping the ante with feature-length content material that’s the stuff of Oscar goals. Nevertheless, as a result of Max will not be (but) a manufacturing powerhouse like, say, Netflix, lots of of nice films come and go every month. So in case you see one thing you wish to watch, don’t let it linger in your queue for too lengthy.

Under is a listing of a few of our favourite movies streaming on Max—from iconic horror flicks to piercing documentaries you’ll see close to the highest of any “Finest Films of the 12 months” listing. In the event you resolve you’re in additional of a TV temper, head over to our picks for the finest reveals on Max. In the event you’re on the lookout for much more suggestions, try our lists of the finest films on Netflix, the finest films on Amazon Prime, and the finest films on Disney+.

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If Beale Avenue May Discuss

Everybody puzzled what Barry Jenkins would do following the success of his Oscar-winning movie Moonlight. When it turned out to be a stunning adaptation of James Baldwin’s If Beale Avenue May Discuss, film- and book-lovers alike relished the outcomes. Set in Nineteen Seventies Harlem, Beale tells the story of a younger couple, Tish (KiKi Layne) and Fonny (Stephan James), who dream of constructing a life collectively however get torn aside when Fonny is falsely imprisoned. The film scored Regina King her first, and lengthy overdue, Academy Award, and solidified Jenkins as a cinematic pressure.

Livid 7

You’d be forgiven for considering plenty of the Quick & Livid films begin to run collectively. Automotive chase, fistfight, avenue race, huge booms, Corona, “household”—the top. However this one is particular. For starters, it’s the one the place the gang parachutes a bunch of souped-up vehicles out of the again of a cargo airplane. For one more, it marks Paul Walker’s closing look in a Quick film. (He died in a automobile accident in 2013.) It’s a bittersweet movie, and in addition one of many franchise’s finest.

The Meg

Trying to dwell each week prefer it’s Shark Week? Kick it off with The Meg, which sees Jason Statham dealing with off towards a 75-foot prehistoric shark. The eponymous fish is the one with outsized enamel and urge for food for human flesh, however it’s Statham who chews the majority of the surroundings. Is it goofy? In fact. Which is why is spawned a sequel, which is in theaters now.

Meg 2: The Trench

If one hour and 53 minutes of watching Jason Statham try and kick a prehistoric shark’s ass wasn’t sufficient for you in The Meg, behold: Meg 2. Lower than two months after arriving in theaters, this hotly (albeit considerably sarcastically) awaited sequel is already streaming on Max. In the event you’re on the lookout for a campy creature function that requires zero quantity of considering, however loads of big sharks, ass-kickings, and Statham one-liners, you’re in for a deal with.


It’s HEE-EERE! Earlier than It brought about an uptick in circumstances of coulrophobia, there was Poltergeist—Tobe Hooper’s (or was it Steven Spielberg’s?) 1982 paranormal horror flick that had youngsters, and their mother and father, afraid of not simply clowns, however bushes and tv units, too. When bizarre issues begin taking place to the Freeling household, the reality about their residence—and what lies underneath it—is revealed.


Once we discuss Scream at present, it’s sometimes as a franchise boasting six movies (soon-to-be seven) and an MTV collection. Which all feels considerably ironic, provided that the unique Wes Craven movie—from a script penned by Dawson’s Creek creator Kevin Williamson—was a sendup of the horror collection that Scream itself ultimately grew to become. Sidney Prescott (Neve Campbell) performs a brand new sort of Ultimate Woman as she struggles with the loss of life of her mom, teenage romance, and a masked serial killer who appears intent on making her his subsequent sufferer. Whereas it might really feel considerably dated with its extreme mid-’90s fashions, there’s no denying its cleverness. And it’s clear that its makers are devoted followers of the style.

The Misplaced Boys

Come for the vampires, keep for the Horny Sax Man. Joel Schumacher assembled a who’s who of mid-’80s heartthrobs, together with The Two Coreys, for this story of a current divorcee who strikes along with her two sons to a seemingly charming seashore city, solely to find that it’s overrun by vampires. When her older son (Jason Patric) is partially become a bloodsucker himself, the household should use all the assistance they will get to halt his transformation.

The Exorcist

“What a wonderful day for an exorcism.” Along with being certainly one of this horror basic’s most well-known quotes, it’s additionally an evergreen assertion on the perfect time to provide The Exorcist a watch—or doubtless, a rewatch. The late William Friedkin modified the sport for the style in some ways with this adaptation of William Peter Blatty’s novel of the identical title, significantly from a crucial perspective, because it’s typically touted as the primary horror film to earn a Finest Image Oscar nod. Regan MacNeil (Linda Blair) is the 12-year-old daughter of a film star (Ellen Burstyn). Each are doing their finest to dwell a standard life, however all hell breaks free, actually, when younger Regan begins randomly levitating, turning her head a full 360 levels, appearing very unladylike with a crucifix, and projectile vomiting within the faces of the monks who’re trying to assist her. The film was so disturbing on the time of its launch, with widespread situations of individuals fainting and even one reported miscarriage, that film theaters started maintaining ambulances available throughout screenings.


4 administrators have tried to mine Stephen King’s debut novel for cinematic inspiration, which finally appears pointless after Brian De Palma’s 1976 authentic. Practically 50 years after its debut, the movie nonetheless manages to scare the pants off audiences. Carrie White (Sissy Spacek) is a shy, sheltered, and, yeah, kinda bizarre teen who’s a favourite goal of her highschool’s clique of imply women. When certainly one of mentioned imply women (Nancy Allen) is barred from attending her personal senior promenade due to her tortuous conduct, she and her boyfriend make a plan to get revenge on poor ol’ Carrie. However Carrie has the final chortle when, after being doused by a bucket filled with pig’s blood, she reveals a gymnasium filled with prom-goers why her “Creepy Carrie” nickname is effectively earned. The movie additionally options an ending that may nonetheless make audiences fairly actually leap out of their seats.

Little Store of Horrors

You’d be hard-pressed to discover a extra stellar forged of ’80s comedy stars than the roll name on this Frank Oz musical, which is an replace of an previous Roger Corman film. Seymour Krelborn (Rick Moranis) is a soft-spoken worker at a flower store, the place—when he’s not harboring a serious crush on his coworker Audrey (Ellen Greene)—he’s desperately making an attempt to maintain his bloodthirsty plant Audrey II thriving. Steve Martin, John Sweet, Invoice Murray, and Christopher Visitor all have memorable roles.

Mommie Dearest

In his 1981 review of Mommie Dearest, The Washington Publish movie critic Gary Arnold described the movie as “wretched extra.” Whereas that’s clearly not meant to be a praise, the movie’s over-the-topness turned what was presumably presupposed to be an easy Joan Crawford biopic right into a beloved two-hour campfest that sees Faye Dunaway chomping away on each final little bit of surroundings. The film, about Crawford’s alleged abusive relationship towards Christina and her brother Christopher, paints an image of a monster—and has been publicly denounced by Crawford’s different kids. Veracity apart, this two-hour-long campfest has grow to be a cult basic that’s typically seen on midnight film marquees, and it very effectively might have killed the wire hanger trade.

Pulp Fiction

In the event you’re a film buff, likelihood is you’ve got already seen Quentin Tarantino’s seminal Pulp Fiction. However, in case you’re a film buff, you are additionally in all probability the sort of one that likes to revisit it typically. However be warned: In the event you suppose this may encourage you to bask in a Tarantino marathon, you are out of luck. It is one of many solely Tarantino flicks on Max. (This relies loads on whether or not you rely the director’s look in From Nightfall Until Daybreak.) Nonetheless, get pleasure from your time with Jules and Vincent (and Honey Bunny and the gimp and Marsellus Wallace and Butch) whilst you can.

A Nightmare on Elm Avenue

Earlier than Freddy Krueger grew to become a wise-cracking horror icon who ultimately confronted off towards Jason Voorhees, he was a legitimately terrifying horror villain. His first look on this gritty, 1984 Wes Craven basic nonetheless has the power to ship shivers up the backbone of even essentially the most seasoned horror fan.

Fringe of Tomorrow

Has the one-two punch of High Gun: Maverick and Mission: Not possible—Useless Reckoning Half One left you jonesing for a fast Tom Cruise marathon? Effectively, no playlist of Tom Cruise Operating is full with out Fringe of Tomorrow. This alien-invasion flick from director Doug Liman stays as enjoyable at present because it was when it got here out practically a decade in the past. And it is nonetheless the perfect online game you’ll be able to by no means play.

Avatar: The Method of Water

James Cameron’s Avatar sequel felt like a film centuries within the making. In actuality, simply over a dozen years handed between the unique 2009 film and final yr’s The Method of the Water. That timeline provides up: The second in a scheduled collection of 5 movies takes place 16 years after the occasions of the unique and catches up with Jake (Sam Worthington) and Neytiri (Zoe Saldaña)—now married with kids, and nonetheless blue. Although the film didn’t appear to make as loud as a splash as its predecessor, it managed to wipe Cameron’s personal Titanic out of the water—plus all of the Star Wars films—to grow to be the third-highest-grossing film of all time (with Avatar within the high spot, adopted by Avengers: Endgame—although all of them may wish to be careful for Barbie).

Magic Mike’s Final Dance

Method again in 1989, few may have predicted that Steven Soderbergh—the brand new indie auteur setting Sundance ablaze with Intercourse, Lies, and Videotape—would at some point direct a dramedy a few group of male strippers with names like Tarzan and Large Dick Richie. Channing Tatum actually wouldn’t have guessed it (then once more, he was solely 9 years previous on the time). Nonetheless, what seemed like a weird collaboration become an excellent film, which then morphed right into a full-on franchise. Now, Tatum—upon whom the eponymous dancer is loosely primarily based—is able to pop, lock, and rock a pair of rip-away pants as soon as extra within the third entry within the Magic Mike saga. This one strikes the motion to London, when a sizzling wealthy woman (Salma Hayek Pinault) asks him to carry his strikes throughout the pond. Scheming and secret agendas ensue, however Mike, as at all times, prevails.


In 2017, an intelligence report about Russian interference within the 2016 US presidential election was leaked anonymously. One yr later, former NSA translator Actuality Winner (sure, that’s her actual title) was sentenced to greater than 5 years in jail for the crime—the longest sentence ever acquired by a authorities whistleblower. HBO’s reigning muse, Sydney Sweeney, (EuphoriaThe White Lotus) shines on this gripping true story, which performs out largely in actual time because the FBI knocks on the 25-year-old’s door and spends greater than an hour questioning her.

Moonage Daydream

A revolutionary artist like David Bowie deserves nothing in need of a revolutionary documentary, which is precisely what Brett Morgen delivers. Actually, to name it a “documentary” doesn’t even really feel fairly proper—which is perhaps why it’s known as a “cinematic expertise” proper there within the credit. Bowie diehards and neophytes alike will discover a lot to be enthralled by, whether or not it’s the psychedelic spectacle of all of it, the never-before-seen footage and interviews, or the 40 Bowie songs that had been remastered particularly for the film—the primary to obtain a blessing from the Bowie property.


Even in case you don’t care about awards, the truth that Parasite is the primary—and nonetheless solely—non-English-language film to win a Finest Image Oscar ought to inform you one thing in regards to the universality of its themes. The Kims, a household struggling to make ends meet, set their scheming sights on the Parks, a well-to-do household with loads of issues of their very own, but additionally loads of cash to muffle their dysfunction. At the very least for a time. Simply whenever you suppose you understand how class warfare is enjoying out on this black comedy, it modifications course to succeed in an sudden conclusion. As at all times, Bong Joon-ho is aware of simply methods to lead his viewers down one path, solely to open a trapdoor into one other.

All of the Magnificence and the Bloodshed

Discovering success in a single’s lifetime may appear to be the dream of each artist, however Nan Goldin has larger ambitions. Although she’s a photographer by commerce, she’s an activist by calling and has lengthy used her digital camera to seize painfully intimate moments of America in disaster, together with intensive work centered on the HIV/AIDS and opioid epidemics. However All of the Magnificence and the Bloodshed reveals the artist in battle: Ought to she permit her work to be showcased in one of many distinguished museums or galleries which have acquired endowments from the Sackler household—the Large Pharma household many blame for America’s opioid disaster? It’s a shifting portrait of an artist keen to threat all of it for her beliefs.

The Banshees of Inisherin

Colin Farrell and Brendan Gleeson—reuniting after playwright-turned-filmmaker Martin McDonagh’s In Bruges (2008)—play longtime finest buddies who’ve an sudden falling out when Gleeson’s Colm all of the sudden decides to chop Farrell’s Pádraic out of his life. When Pádraic seeks a proof for why, Colm begins reducing off much more. McDonagh is a virtuoso of absurdist comedy, and The Banshees of Inisherin is perhaps his masterpiece. Although it walked away empty-handed on the Oscars, the film was deservedly nominated for a complete of 9 Academy Awards, together with Finest Image, Finest Authentic Screenplay, and nominations for Farrell, Gleeson, Barry Keoghan, and Kerry Condon. (Farrell’s day will come.)


“This ain’t no nostalgia present,” says Austin Butler, because the King, in Elvis. “We’re going to do one thing totally different.” Butler may as effectively have been speaking in regards to the film itself, which is actually not your typical Presley biopic. Then once more, within the fingers of director Baz Luhrmann, would one anticipate something totally different? Instructed from the deathbed perspective of Colonel Tom Parker, Elvis Presley’s (shady) longtime supervisor, Luhrmann does away with the musical deity angle so typically seen to color a way more susceptible image of Presley. In fact he does all of it with the identical frenetic vitality, wild pacing, and over-the-top model which have grow to be hallmarks of Luhrmann’s work.

Empire of Gentle

At its abstract stage, Empire of Gentle is a Nineteen Eighties-set historic romance about an overwrought movie show supervisor (Olivia Colman) who takes a shine to a brand new worker (Micheal Ward) and manages to discover a slice of happiness in a time of political unrest within the UK. However the film, directed by Sam Mendes, can also be a labor of affection and partly autobiographical. At its coronary heart, it’s actually an appreciation of cinema, and of the connections we will discover with individuals at midnight—each actually and figuratively. Although it’s removed from an ideal film, Colman’s masterful efficiency is well worth the worth of admission alone, and but once more proves why she is without doubt one of the most in-demand actors working at present.

The Menu

A small group of overprivileged foodies (together with Anya Taylor-Pleasure and Nicholas Hoult) journey to an island in the course of nowhere with a view to be positioned on the culinary mercy of world-renowned grasp Chef Slowik (Ralph Fiennes), and pay high greenback for the privilege. However in the course of the dinner service through which The Menu takes place, Slowik has plans that transcend an eight-course tasting menu. It’s in all probability finest to go in realizing as little as you’ll be able to about the place this bizarre little black-comedy-horror flick goes, however be warned that it’s nowhere good.


Whether or not anybody realizes it or not, collaborative consumption has compelled lots of people to repeatedly put our belief in complete strangers (suppose: Uber drivers) with out a second thought. Author-director Zach Cregger’s Barbarian might trigger you to rethink. When Tess (Georgina Campbell) arrives at her Airbnb, she discovers the place has already been rented. Good factor the man (Invoice Skarsgård) who’s staying there appears so candy, soft-spoken, and accommodating.

The Darkish Knight

First issues first: All three of Christopher Nolan’s Batman films are at the moment on HBO Max, and binge-watching all of them in a row is actually one solution to spend a night. However in case you’re opting to observe only one, the second movie within the collection is the one to beat. Although Christian Bale’s Caped Crusader will get high billing, it’s Heath Ledger’s now-iconic efficiency as The Joker that makes The Darkish Knight essentially the most compulsively watchable Batman film (even past Nolan’s entries). Although Ledger tragically handed away six months earlier than the movie’s launch, he posthumously received a Finest Supporting Actor Oscar for his villainous flip, through which he managed to search out the proper stability between darkish humor and outright madness.


Ari Aster made a splash—and one memorable splat—along with his directorial debut, which took psychological horror to new heights. Annie Graham (Toni Collette) is a miniature artist residing a seemingly contented life along with her psychiatrist husband (Gabriel Byrne) and their two youngsters, Peter (Alex Wolff) and Charlie (Milly Shapiro). However any sense of normalcy disappears nearly instantly following the loss of life of Annie’s mother, with whom she had a difficult relationship. Is Annie loopy? Is her husband a horrible shrink? Is Peter a horrible individual? Why does Charlie make that clicking noise? What’s that within the backseat of the automobile? These are all legitimate questions which are answered by Aster, whose deft directorial model has made him an instantaneous Hollywood icon.